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Fearless Femininity by Women in American Theatre, 1910s to 2010s, by Lynne Greeley
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In this unprecedented, fascinating book which covers women in theatre from the 1910s to the 2010s, author Lynne Greeley notes that, for the purposes of this study, "feminism" is defined as the political impulse toward economic and social empowerment for females or the female-identified, a position perceived by many feminists as oppositional to ideas of femininity that they see as personally and politically constraining and that "femininity" comprises social behaviors and practices that mean as "many different things as there are women," some of which are empowering and others of which are not. This book illuminates how throughout the twentieth century and into the twenty-first, playwrights and artists in American theatre both embodied and disrupted the feminine of their times. Through approaches as wide ranging as performing their own recipes, energizing silences, raging against war and rape, and inviting the public to inscribe their naked bodies, theatre artists have used performance as a site to insert themselves between the physicality of their female presence and the liminality of their disrupting the role of the feminine. Capturing that place of liminality, a neither-here-nor-there place that is often unsafe, where the established order is overturned by acts as banal as raising a plant, women have written and performed and disrupted their way through one hundred years of theatre history, even within the constraints of a variably rigid and usually unsympathetic social order. Creating a feminist femininity, they have reinscribed their place in the culture and provided models for their audiences to do the same. This comprehensive tome, part of the Cambria Contemporary Global Performing Arts headed by John Clum (Duke University) is an essential addition for theater studies and women's studies.
- Sales Rank: #5110439 in Books
- Published on: 2015-02-06
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x 1.44" w x 5.98" l, 2.27 pounds
- Binding: Hardcover
- 588 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
Anyone interested in women's theater should buy this book or get your library to buy it.
By Martha Boesing
This book is so desperately needed. I am hoping that many universities and colleges will pick it up to study in theater classes (where women are decidedly and shamefully ignored) as well as in Feminist Studies. There have been several books in the last years about the Women’s Theater movement of the 1970s and ‘80s but none with such a broad look at a whole century of women theater artists, which allows us all to experience ourselves as part of an important heritage of truly amazing women. Martha Boesing
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